piano tagged posts

Jazz EPIC CHORD VOICING LESSON | Tritone Sub Voicings In All Keys

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( keyboard frolics) -[ Julian Bradley] How’s it exiting, guys? Julian Bradley now for the Jazz Tutorial YouTube channel. I hope you’re doing well. And in today’s video, I’m going to do a follow-up to my recent tritone substitution reading. And when I affixed that tritone substitution lesson I got quite a few observes soliciting more talk about chord voices. Because as I said in the lesson, at the least half of the power with tritone substitute is squandering nice chord articulations. So in this video, I’m just gonna share with you a set of voicings which I often use when I represent tritone substitution...

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How To Play Block Chords (JAZZ PIANO) Part 1/2

Hi! Today I want to show you how they are able to “block out” some chords and play the “block chords” style. And the “block chords” style is pretty much like this: For precedent...

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Jazz Improvisation Techniques – Simple Scale Hacks

https://www.freejazzlessons.com/jazz-… Would you like to learn some jazz improvisation techniques? This brand new video tutorial will help. Make sure you visit the urlĀ  to get the full lesson and learn more jazz improvisation techniques. If you want to become great at jazz improvisation it’s essential that you learn how to improvise over common chord progressions.

That’s why having jazz improvisation techniques you can rely on and you have mastered is absolutely essential. In this jazz improvisation techniques video we look at the most common jazz chord progression, the ii V I chord progression.

Since the 2 5 1 occurs in a million different jazz standards it’s essential that you have a variety of different jazz improvisation techniques to play over it...

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SMOOTH CHORD PROGRESSION LESSON (Jazz Piano Tutorial)

( forte-piano music) -[ Julian] How’s it extending guys? Julian Bradley here from TheMusicalEar.com. In today’s video I’m gonna share with you my chord advance of the week. I’m gonna start by playing the original v9ersion, and then I’m going to share a couple of other variances, which you can do on the same chord advance. So here is the original form.( piano music) So the chords start on C-minor-Seven, and I’m expending an interesting voicing. It’s called an open sound, whatever it is you hop-skip every other observe. So “youre playing” C, you skip the Third, play G, bounced the root, play-act E-Flat, bounce G, and play B-Flat. This is a nice open voice. It sounds very clean when you play it...

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JAZZ SCALES EXPLAINED IN 10 MINUTES (the end to your confusion)

-[ Julian] How’s it running guys? Julian Bradley here from the Jazz Tutorial YouTube channel. I hope you’re doing well. And in today’s video I’m going to answer a common inquiry which I get, which is, “Which scale should I play with each chord form, “and how can you tell which scale to play “with each chord type? ” Now, often, you’ll get a jazz piano volume, and you’ll “re going to the” back of the book, and it will roster a load of magnitudes, and it will say, “When you see this type of chord, play this scale, ” but it won’t actually explain how this works. So personally, I never look at the back of the book to appreciate which scales they indicate. Personally, I like to figure it out from scratch, and I do it merely using a simple principle which I’m about to show you...

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THIS MELODIC SHAPE TAUGHT ME TO PLAY BY EAR

– How’s it starting guys? Julian Bradley here with another occurrence of Everyday Ear Training. And today’s video I’m actually gonna display you an excerpt taken from my free video series on ear qualify, over at themusicalear.com. You can sign up for this any time by e-mail. It’s a series of four videos which you receive by e-mail. And in today’s YouTube video I just want to take an excerpt from that free series, only to give you a preference of what it’s all about. And we’re gonna be talking about common shapes. I’m gonna be sharing an important melodic common shape and I’m gonna be indicating you how a lot of playing music by ear works by only spotting these common shapes which are heard in many fragments of music.

And when you hear a common shape it tells you where the music is, where ...

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Jon Cleary – History of New Orleans Piano

IN THE HISTORY OF NEW ORLEANS PIANO MUSIC, THAT FEATURES, You are familiar, A LOT OF HORNS, A LOT OF DRUMS, AND THE PIANO– AND THE PIANO’S A HIP LITTLE TOOL BECAUSE IT KIND OF ALLOWS YOU TO REPRODUCE WHAT ALL THE ELEMENTS OF A BAND WOULD DO. SO YOU HAVE THE PERCUSSION …( scatting) … THE SYNCOPATION, WHICH IS AT THE ROOT OF NEW ORLEANS MUSIC. IT’S VERY SYNCOPATED, VERY FUNKY. AND THEN YOU HAVE THE … THE HARMONICA ASPECT: YOU CAN GET TO PLAY AROUND WITH THESE LOVELY CHORD CHANGES. YOU Get THE BLUES. YOU HAVE THE BLUES … AND YOU HAVE THIS 12/8 GROOVE FROM BACK IN THE … AND THEN YOU HAVE– WHAT THEY CALL HERE, THEY CALL IT A RUMBA. IT’S A SLIGHTLY DIFFERENT Symbolize FROM RUMBA IN CUBA OR IN SPAIN. YOU HAVE THIS LITTLE GROOVE...

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Blues Piano Licks : Blues Piano Easy Lick One

Hi, my name is Jonathan Wilson on behalf of Expert Village.com. And we’re learning thirty must-have blues piano links. These are easy ones and we’re starting with lick number one. Without further ado, let’s just get right to it. Here it is half tempo, with a metronome. Check out the notation, it goes like this. Okay, good starting point, not very complicated. Now, the only thing tricky about this one, if you’re just kind of a beginner piano player, sometimes those thirds can give you a little bit of trouble. Just practice. Take it very, very slowly. Don’t worry about the finger strength so much on these. Sometimes people, their fourth finger is usually your weakest finger when it comes to playing the piano.

If you can, in a situation like this, just kind of put those fingers down and use ...

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The Ray Charles 12-Bar Blues Piano Lick – Piano Lesson

The Ray Charles 12-Bar Blues Piano Lick – Piano Lesson

Today’s lesson is on a Ray Charles blues progression from the song What I’d Say. This song features a lot of really cool stuff, we’ve got a sweet bass line in the left hand. We got some cool kind of pulsing chord movements in the right, and then we’ve got an awesome little (blues piano music) lick that caps off the whole thing. So we’re gonna look at each part of those. So let’s start at the beginning with that bass line. The bass line’s really simple. It consists of, again it’s this 12-bar pattern. It’s in the key of E. (piano chord) So that means we have three chords to work with. We got an E chord.

(piano note) We got an A. (piano note) And we got a B...

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HOW TO PLAY MUSIC BY EAR (ear training for musicians)

( “Senorita” by Justin Timberlake) – Hi, YouTube, this is Julian Bradley. Today I’m going to talk about ear train. So I’ve got some advice which will speed up the process. First of all you need to get in the habit of listening to music in another way. Every piece of music you hear you need to be thinking what are the intervals? Whether it’s a trail on the radio, in a club, someone’s phone travelling off, a police siren travelling by, the fowls singing you want to be thinking, okay, what is that interval? What are those notes? Second of all my advice is when you’re starting out to try and stick to one key and to work in that key.

Doing that will construct you recognize a lot quicker that they’re the same notes that are coming up and the same chords, particularly in pop music, it’s the same ...

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