Lesson tagged posts

Jazz EPIC CHORD VOICING LESSON | Tritone Sub Voicings In All Keys

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( keyboard frolics) -[ Julian Bradley] How’s it exiting, guys? Julian Bradley now for the Jazz Tutorial YouTube channel. I hope you’re doing well. And in today’s video, I’m going to do a follow-up to my recent tritone substitution reading. And when I affixed that tritone substitution lesson I got quite a few observes soliciting more talk about chord voices. Because as I said in the lesson, at the least half of the power with tritone substitute is squandering nice chord articulations. So in this video, I’m just gonna share with you a set of voicings which I often use when I represent tritone substitution...

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ARE YOU MAKING THIS EAR TRAINING MISTAKE? (don’t use interval songs)

EPIC MOMENTS: 0:10 Ignore the normal interval advice

1:11 Musical Association works for exams, but not real music

2:15 Putting musical association to the test (piano montage)

3:43 The ‘Stepping-Stone Method’ (what I use instead)

5:15 My 4 most common stepping-stone patterns

7:21 The 6 intervals that most music is built of

9:18 How to identify bigger intervals

9:59 How to identify descending intervals

11:11 How to learn your intervals this week

12:04 Free ear training resources

LESSONS NOTES / CLARIFICATION: Let me clarify the message of this lesson: 1. ‘Musical Association’ does not work when transcribing normal music, because it’s very hard to recall melody B while listening to melody A.

(Musical Association only works for 2 notes played in isolation – as in some ear training exams) – an...

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SMOOTH CHORD PROGRESSION LESSON (Jazz Piano Tutorial)

( forte-piano music) -[ Julian] How’s it extending guys? Julian Bradley here from TheMusicalEar.com. In today’s video I’m gonna share with you my chord advance of the week. I’m gonna start by playing the original v9ersion, and then I’m going to share a couple of other variances, which you can do on the same chord advance. So here is the original form.( piano music) So the chords start on C-minor-Seven, and I’m expending an interesting voicing. It’s called an open sound, whatever it is you hop-skip every other observe. So “youre playing” C, you skip the Third, play G, bounced the root, play-act E-Flat, bounce G, and play B-Flat. This is a nice open voice. It sounds very clean when you play it...

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HOW TO PRACTICE MUSIC WITHOUT YOUR INSTRUMENT (Everyday Ear Training #1)

Everyday Ear Training is about evidencing you just how much they are able to rule music when you’re away from your tool. So most of the great musicians of all time, they don’t only tradition music when they’re at their tool, in fact most of their practise is done in their daily lives particularly by ear practise, and rewriting music by ear- Julian Bradley now from the Jazz Tutorial YouTube channel. And I just wanted to announce the beginning of a new video serial I’m starting, which is called Daily Ear Training. And I’m gonna be announcing this on YouTube...

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JAZZ SCALES EXPLAINED IN 10 MINUTES (the end to your confusion)

-[ Julian] How’s it running guys? Julian Bradley here from the Jazz Tutorial YouTube channel. I hope you’re doing well. And in today’s video I’m going to answer a common inquiry which I get, which is, “Which scale should I play with each chord form, “and how can you tell which scale to play “with each chord type? ” Now, often, you’ll get a jazz piano volume, and you’ll “re going to the” back of the book, and it will roster a load of magnitudes, and it will say, “When you see this type of chord, play this scale, ” but it won’t actually explain how this works. So personally, I never look at the back of the book to appreciate which scales they indicate. Personally, I like to figure it out from scratch, and I do it merely using a simple principle which I’m about to show you...

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HOW TO PLAY MUSIC BY EAR (ear training for musicians)

( “Senorita” by Justin Timberlake) – Hi, YouTube, this is Julian Bradley. Today I’m going to talk about ear train. So I’ve got some advice which will speed up the process. First of all you need to get in the habit of listening to music in another way. Every piece of music you hear you need to be thinking what are the intervals? Whether it’s a trail on the radio, in a club, someone’s phone travelling off, a police siren travelling by, the fowls singing you want to be thinking, okay, what is that interval? What are those notes? Second of all my advice is when you’re starting out to try and stick to one key and to work in that key.

Doing that will construct you recognize a lot quicker that they’re the same notes that are coming up and the same chords, particularly in pop music, it’s the same ...

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How to Start Piano Lessons for Pre-School Aged Children

Hi. Therefore welcomed The Piano Podcast. I’m Mario Ajero. In this video, I want to show some forte-piano pieces that you could teach to young preschool children as young as age three to prepare them for traditional piano lessons. I’m hoping this video is useful to both professional piano teachers as well as mothers who only want to give their young children a head start on piano lessons. One of the first activities that you can actually do at the keyboard is to teach your kids that the piano shall be made available in two black key and three black keys. Can you play two black keys like this? Once infants can find the two black keys, you can do short rhythmic patterns alternating between the two black keys like this one...

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