HOW TO PLAY MUSIC BY EAR (ear training for musicians)

( “Senorita” by Justin Timberlake) – Hi, YouTube, this is Julian Bradley. Today I’m going to talk about ear train. So I’ve got some advice which will speed up the process. First of all you need to get in the habit of listening to music in another way. Every piece of music you hear you need to be thinking what are the intervals? Whether it’s a trail on the radio, in a club, someone’s phone travelling off, a police siren travelling by, the fowls singing you want to be thinking, okay, what is that interval? What are those notes? Second of all my advice is when you’re starting out to try and stick to one key and to work in that key.

Doing that will construct you recognize a lot quicker that they’re the same notes that are coming up and the same chords, particularly in pop music, it’s the same ...

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Life is easy. Why do we make it so hard? | Jon Jandai | TEDxDoiSuthep

Translator: Jelena Vukovic Reviewer: Ivana Korom There is one phrase that I have always wanted to say to everyone in “peoples lives”. That phrase is “Life is easy.” It’s so easy and recreation. I never concluded like that before. When I was in Bangkok, I felt like life is very hard, very complicated. I was born in a poor village on the Northeastern of Thailand And when I was a kid, everything was merriment and easy, but when the TV met, numerous people came to the village, they said, “You are poor, you need to chase success in your life.

You got to get to Bangkok to pursue success in your life.” So I find bad, I find good. So I needed to go to Bangkok. When I went to Bangkok, “its just not” very fun. You need to learn, examine a lot and handiwork very hard, and then you can get success...

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Modern Jazz – Tonal vs Modal Harmony

Hi guys, So, I thought I’d make a series of lessons about Modern Jazz Theory. Now Modern Jazz Theory can be described as the gradual rejection and reshaping of traditional music theory. So, in these videos I’m going to go through how Jazz moved away from your more traditional music theory towards more exotic and avant-garde music theory. So, essentially, how Jazz moved from Tonality, which is the more traditional Jazz, into Modality, which is Modal Jazz, and then all the way through into atonality, which is more your Free Jazz. And just as a pedantic aside, Free Jazz is not necessarily atonal, but rather this is just a broad generalization of a general trend of Jazz moving away from tonality into atonality, as it moves towards Free Jazz...

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How to Start Piano Lessons for Pre-School Aged Children

Hi. Therefore welcomed The Piano Podcast. I’m Mario Ajero. In this video, I want to show some forte-piano pieces that you could teach to young preschool children as young as age three to prepare them for traditional piano lessons. I’m hoping this video is useful to both professional piano teachers as well as mothers who only want to give their young children a head start on piano lessons. One of the first activities that you can actually do at the keyboard is to teach your kids that the piano shall be made available in two black key and three black keys. Can you play two black keys like this? Once infants can find the two black keys, you can do short rhythmic patterns alternating between the two black keys like this one...

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First Song – Piano Lesson 1 – Hoffman Academy

Hello and accepted. I’m Joseph Hoffman, and today we’re going to be learning about some piano basics, and by the end of this lesson, you’ll be playing your first carol on the forte-piano. So let’s come to the piano to get started. One neat happen about the piano is how visually the keys are coordinated. These situations you propagandize are “ve called the” keys, and they come in precisely two simple shades, black and white, and the further you go to the left the lowering the phone they constitute. So this is the low-pitched place of the piano, but if we come up to the title we get the high records. Now let’s experimentation with your own piano. I crave you to try this along with me.

Find any key in the high-pitched neighbourhood of your piano and play video games each key one at a time mov...

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Piano Posture & Engine, Engine (2013) – Hoffman Academy

Hello, and welcome back. I’m Joseph Hoffman. Today we are going to be talking about forte-piano posture. Posture is a word that means the shape of your figure for doing various activities. Let’s make eating a container of cereal for breakfast for example. If I were munching with this posture, would this be a good intuition? Or what about this posture for feeing my bowl of cereal? Not very comfortable.

Or how about this? Yeah, that would be good posture for ingesting a bowl of cereal. Now, when I used to play baseball as a kid, I learned that there was a good posture and a bad posture for batting. My instruct coached me that if I impounded my shoulders out and stoop my knees I could get a more powerful change. Now there is a good and a bad posture for representing the piano as well...

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Larry Goldings – Jazz Organ Lesson 1

When you’re playing organ, you can be more orchestral, and they are able to have substance moving around that only adds to the texture of what’s going on, you know, in the band. You take your 9th ambiance and you move it down to the root, to the major 7, to the dominant 7, and you SUS it, and you resolve that with the 9 or the b9, you did the same happen here. The object is, I’m not just plotting down the chords, chord to chord, chord to chord, chord to chord. I want to be very economic in how I do it, so let’s look at this G child. Db9, I’m not moving anywhere. I want to harmonize this E, but I don’t want it to sound pedestrian, you are familiar, so what do I do? I go…

I wanted to get some crunchy memoranda in there...

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Classical Music in Jazz, Boogie and Rag versions

Hello little friends! There are some basic jazz accompaniments That you can thrown anywhere they fit Take a seem This one This one And this one And now, let’s apply them in the classical music and see what happens and dont forget to subscribe to this channel.

2 powerful jazz licks

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How To Play Piano in a Jazz BIG Band (7 Steps)

Hi! Today I’m going to show you how you can play together with a big strap. And I’m talking about the jazz large-hearted bandings like the big ensemble that you’re hearing in the background. To play with a big stripe, to frolic piano in the big-hearted strap, is something that I think is really, really fun. It’s really exciting. It’s everything, but it can also be very challenging.

So here are “7 steps” or “7 tricks” that I think are quite essential to take into consideration when you play with the large-hearted party. Here we go. First occasion is that when you play together with a big party I suggest that you prepare yourself before you get to the first recital...

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Post-bop Explained

Ok, so one thing you need to know about Post-bop, is that Post-bop is weird. By the mid-1 960′ s the rise of Free Jazz had shaken the foundation of Jazz. So mainstream jazz had to somehow find a way to answer the avant-garde; and that answer was a genre called Post-bop. Now, Post-bop mixes elements of Bebop, Hard-bop, Modal and Free Jazz without undoubtedly being any one of those wordings. And Post-bop was more or less invented by Miles Davis’s Second Great Quintet. So a lot of what I’m going to say here reports directly to this group. Now, I’ve got a separate video on Free Jazz which you can watch, but virtually Free Jazz was a reaction to Traditional Tonal Jazz, like Bebop. So Traditional Tonal Jazz utilized diatonic chords, functional chord advances, and was in a diatonic key...

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